Miriam Fried introduces Bach's Sonatas and Partitas for solo violin as a central and lifelong artistic journey. She shares how she encountered this music at a young age and how it has remained a profound source of both challenge and joy throughout her career.

Over time, especially through teaching, she was forced to reflect more deeply on her understanding of this repertoire. This process strengthened her interpretations and deepened her connection to the music.

She observes that many violinists are hesitant to play Bach. This often stems from:

Its association with auditions and pressure a perceived historical distance, and performances that lack vitality or imagination

Fried explains that Bach's music is different from later repertoire: it is not primarily about personal expression, but about conveying something larger—spiritual, structural, and universal. Its emotional depth is embedded within its architecture, and unlocking it requires understanding rather than surface interpretation.

She emphasizes that:

Knowledge of style, history, and structure is essential
Interpretation must be grounded in understanding, not personal preference
Distinguishing fact from opinion is crucial

Ultimately, she encourages violinists not to fear Bach but to approach it with curiosity. Through study and awareness, one can access a deeply meaningful and almost transcendent musical experience."